One of my favorite cameras of all time was the Panasonic GM5. With its interchangeable lenses and ultra-compact design, I could truly take it anywhere and still have full manual control. Compromises had to be made given such a small design, and the Micro Four Thirds format did limit potential image quality, but I had an EVF and a creative camera that was perfect for travel.

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The Fujifilm XF 18-55mm f/2.8-4 R LM OIS was truly a legendary kit lens. It broke the stereotype of bare-bones kit lenses that came packaged with slow apertures and pedestrian optics. I say was because it now must make way for a new lens to take center stage. The new Fujifilm XF 16-50mm f/2.8-4.8 has very big shoes to fill indeed.

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The Hobolite Iris, the company's latest addition to its lineup of LED lighting equipment, is small enough to slide into a pocket yet versatile enough to deploy in a variety of ways. The main reason why is because it integrates into the broader Hobolite ecosystem, with particular compatibility with the existing Hobolite Micro light.

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PetaPixel editor-in-chief Jaron Schneider got his hands on the new M4-powered iPad Pro already, and is actively putting it through its paces for a comprehensive review. My iPad Pro arrived last night, and I opted for Apple's "Nano-texture" glass option. So far, it is much better than I expected.

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Sigma updated its 24-70mm f/2.8 DG DN Art with a new body design, a new autofocus motor, and a reworked optical formula to make it lighter, smaller, faster, and sharper. That's the promise, anyway, but is it true?

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Fujifilm is consistently updating its line of mirrorless cameras to make use of the latest film simulation modes and sensor technology. It is no surprise, then, that it has released a 40-megapixel version of its insanely popular X-T double-digit line to bring high resolution to an affordable platform: the X-T50.

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The first Fujifilm GFX 100S had my favorite form factor of any GFX camera due to its take-anywhere size. I loved the smaller body design of the latest GFX 100 II, and of course all the improvements to autofocus and film simulation modes as well as an emphasis on faster shooting and video. But it was only a matter of time before the latest improvements transferred over to the GFX 100S line and the wait is now over.

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Apple's iPad Pro (2024) is a marvel of modern technology. Sleek, bright, and thin, it feels like technology we were promised when I was a kid. But for as many times as I stood mouth agape at it, I felt pulled back -- and that's not necessarily entirely on Apple to fix.

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Hasselblad has introduced a new 25mm prime lens to add to its already crowded wide-angle assortment. I've reviewed the 30mm f/3.5, and Hasselblad also has 28mm f/4 and 21mm f/4 lenses. However, this new wide prime splits the difference and has an even brighter f/2.5 aperture.

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I love short telephoto lenses because of how versatile they can be for anything from portraits to landscapes.

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The Vivo V30 Pro may be a mid-range smartphone, but with Zeiss in the mix, the camera takes a decisive step forward compared to its predecessors. Until now, Vivo reserved its collaboration with Zeiss for its X Series, but no longer. The Zeiss tech makes the more affordable V Series more interesting to photographers.

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I've used a lot of different microphones over the past few years, but recent experience with Shure on The PetaPixel Podcast put its SM7db at the top of my tier list. Shure's new MV7+ doesn't quite unseat my number one favorite mic, but it comes darn close.

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The Honor Magic 6 Pro is a quality smartphone with a camera array built to make the case that it has the goods to be among the best. Honor is a spinoff of Huawei, which let the brand go in 2021 in a bid to evade U.S. sanctions. Since then, Honor has carved out its own purpose and identity, including a current attempt to go public with an IPO.

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It is highly unlikely that you have not heard of the Fujifilm X100VI. Similarly, you've probably seen some polarizing discourse around it. For some reason, it's seemingly only appropriate to love this camera or dunk on it. There is no in between.

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The biggest video-centric exhibition took place last week and brought with it a ton of news, including a new dual-lens camera from Insta360 called the X4 8K. There are a lot of conflicting reports on the video quality, though and Jordan Drake has thoughts.

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The Xiaomi 14 Ultra is the clearest indicator yet that Xiaomi wants to be the best in mobile photography, even if some parts of the world don't know it. Anecdotal as it may be, people react with surprise at the images they see captured by the phone when I show them.

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Aura Frames has emerged as a dominant force in the digital frame world, and it's easy to see why. The stunning image quality and ease of use make it a top choice for displaying photos.

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Do you want a compact lens with a constant f/2.8 aperture? Does it have to be as sharp as a G-Master lens without the high price? Sony may have just given you what you asked for, provided that you don't need an extensive zoom range.

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A couple of weeks ago I upgraded from the Olympus OM-D E-M1 Mark II to the OM System OM-1 Mark II. One of the reasons was for the OM-1 Mark II's greatly enhanced wildlife tracking functions.

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An OM System 150-600mm f/5-6.3 has been sitting in the office for months and I haven't touched it since I tested the OM-1 Mark II. Finally, the cold weather had given way and I had no excuse to ignore it anymore. A trip to the Calgary Zoo would let me test out not only the wildlife capabilities of this lens but also the excellent macro versatility that the lens offers.

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